In his paintings, Santiago Yahuarcani seeks to preserve the knowledge system of the Huitoto people of southern Colombia and Peru and depict the ongoing trauma of Indigenous lives that have experienced dislocation, colonisation, and genocide. For the 14th Gwangju Biennale, Yahuarcani presents Huitoto Cosmovision (Cosmovisión Huitoto) 2022, a painting made with natural dye on connected sheets of parchment created from the inner bark of fig trees. The painting is filled with iconographies that represent various aspects of Huitoto lives, such as their belief system that features numerous gods, mythical narratives on the origin of fish, and contemporary surroundings in which urban landscapes infiltrate the Amazon forest. By connecting these imageries within a single picture plane without a distinct hierarchy, Yahuarcani renders the painting into an embodiment of the complex multiplicities of Huitoto existence in the present moment.